Little is known of Vitruvius' life, except what can be gathered
from his writings, which are somewhat obscure on the subject.
Although he nowhere identifies the emperor to whom his work is
dedicated, it is likely that the first Augustus is meant and that
the treatise was conceived after 27 BC. Since Vitruvius describes
himself as an old man, it may be inferred that he was also active
during the time of Julius Caesar.
Marcus Vitruvius Pollio, Roman architect and engineer, was
author of the celebrated treatise De architectura libri decem
(Ten Books on Architecture) which carefully described existing
practices, not only in the design and construction of buildings,
but also in what are today thought of as engineering disciplines.
His writing is prescriptive and gives direct advice: "I have
drawn up definite rules to enable you, by observing them, to have
personal knowledge of the quality both of existing buildings and
of those which are yet to be constructed." (Preface, Book
I, Morgan's translation). His writings were addressed to Caesar
in an attempt to inform the Emperor on the subject of architecture
so that he might make informed decisions concerning the construction
of public buildings.
De architectura was based on Vitruvius' own experience,
as well as on theoretical works by Greek architects. The treatise
covers almost every aspect of architecture and include such varied
topics as the manufacture of building materials and dyes (material
science), machines for heating water for public baths (chemical
engineering), amplification in ampitheaters (acoustics), and the
design of roads and bridges (civil engineering). It is divided
into 10 books dealing with city planning and architecture in general;
building materials; temple construction and the use of the Greek
orders; public buildings (theatres, baths); private buildings;
floors and stucco decoration; hydraulics; clocks, mensuration,
and astronomy; and civil and military engines. Using modern terminology,
the subjects of the ten books are as follows:
1.Landscape architecture
2.Construction materials
3.Temples (Part 1)
4.Temples (Part 2)
5.Public places: square, meeting hall, theatre, park, gymnasium,
harbour
6.Private dwellings
7.Finishes and colours
8.Water supply
9.Sundials and clocks
10.Mechanical engineering
Vitruvius' outlook was essentially Hellenistic. His wish
was to preserve the classical tradition in the design of temples
and public buildings, and his prefaces to the separate books of
his treatise contain many pessimistic remarks about contemporary
architecture. Vitruvius' expressed desire that his name be honoured
by posterity was realized and his advice was followed for centuries.
Throughout the antique revival of the Renaissance, the classical
phase of the Baroque, and in the Neoclassical period, his work
was the chief authority on ancient classical architecture.
Here are several interesting excerpts from Vitruvius' works:
" COLONNADES AND WALKS Book V Chapter 9
5. The space in the middle, between the colonnades and open to
the sky, ought to be embellished with green things; for walking
in the open air is very healthy, particularly for the eyes, since
the refined and rarefied air that comes from green things, finding
its way in because of the physical exercise, gives a clean-cut
image, and, by clearing away the gross humours from the eyes,
leaves the sight keen and the image distinct. Besides, as the
body gets warm with exercise in walking, this air, by sucking
out the bumours from the frame, diminishes their superabundance,
and disperses and thus reduces that superfluity which is more
than the body can bear.
THE EDUCATION OF THE ARCHITECT Book I Chapter 1
1. The architect should be equipped with knowledge of many branches
of study and varied kinds of learning, for it is by his judgement
that all work done by the other arts is put to test. This knowledge
is the child of practice and theory. Practice is the continuous
and regular exercise of employment where manual work is done with
any necessary material according to the design of a drawing. Theory,
on the other hand, is the ability to demonstrate and explain the
productions of dexterity on the principles of proportion.
2. It follows, therefore, that architects who have aimed
at acquiring manual skill without scholarship have never been
able to reach a position of authority to correspond to their pains,
while those who relied only upon theories and scholarship were
obviously hunting the shadow, not the substance. But those who
have a thorough knowledge of both, like men armed at all points,
have the sooner attained their object and carried authority with
them.
3. In all matters, but particularly in architecture, there
are these two points:- the thing signified, and that which gives
it its significance. That which is signified is the subject of
which we may be speaking; and that which gives significance is
a demonstration on scientific principles. It appears, then, that
one who professes himself an architect should be well versed in
both directions. He ought, therefore, to be both naturally gifted
and amenable to instruction. Neither natural ability without instruction
nor instruction without natural ability can make the perfect artist.
Let him be educated, skilful with the pencil, instructed in geometry,
know much history, have followed the philosophers with attention,
understand music, have some knowledge of medicine, know the opinions
of the jurists, and be acquainted with astronomy and the theory
of the heavens."
Still in print today, the Ten Books on Architecture are
a comprehensive essay on the architecture of the era and teach
many lessons still employed today.
Vitruvius' work De architectura libri decem suggests that
an architect needs a good understanding of philosophy, geometry,
music, medicine - indeed all of the liberal arts and sciences.
This system is adopted in Freemasonry which takes architecture,
geometry and symbolic understanding of the liberal arts and sciences
as the basis for instruction in the morality of Man.
BIBLIOGRAPHY:
Morgan's translation is at http://www.perseus.tufts.edu/cgi-bin/ptext?lookup=Vitr.+1.preface+1
from Crane, Gregory R. (ed.) The Perseus Project, http://www.perseus.tufts.edu,
August, 2001
Another version of Vitruvius' works http://www.ukans.edu/history/index/europe/ancient_rome/E/Roman/Texts/Vitruvius/home.html
from Thayer, Bill - website Lacus Curtius http://www.ukans.edu/history/index/europe/ancient_rome/E/home.html,
August 2001
Italian web site PROGETTO GIOVANI 1996-97 Liceo Classico
"Vitruvio Pollione" http://www.comune.formia.lt.it/scuole/Classico/Vitruvio/sommario.htm
edited by Pinelli, Luigi, August 2001
You can see the pictures that accompany this talk at:
http://users.senet.com.au/~frankis/ldv238/vitruvius.htm
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