STB-78-01
Music on this page is: piano concerto no. 23. in a Movement #3 rondo allegretto grazioso by Brother Wolfgang Amadeus Mozart
THE ANTIQUITY OF GEOMETRY
In speculating about symbols, especially
Masonic symbols, we are naturally led to think
of geometric figures. Mindful of the frequently
asserted claim that modern Speculative Freemasonry is the inheritor of "the secret
tradition" or learning of the ancient priesthoods,
who thereby exercised the decisive power of
knowledge over their rulers and kings, we assume that these symbols were created or discovered by the learned men of the priestly
class.
While that is undoubtedly true of many of
the more complex and theoretical figures developed by ancient geometricians, a little more
speculation should lead us to the realization that the most ancient, the most primitive geometrical symbols used by homo sapiens were
discovered and developed by ordinary men for
very practical reasons. Without knowing it, the
earliest scientific investigators were the original
Speculative Masons, who "curiously traced Na-
ture to her innermost recesses" and thereby
initiated the art of geometry, the one most
revered by Freemasons.
And because they were the first discoverers
of theoretical truths which had to be expressed
in symbols (primitive language being completely inadequate, and the symbols being the practical techniques of their investigations), they
acquired a special advantage by which they
were able to achieve unusual status and power.
Primitive man had to climb from a rude
state of brutish survival on an individual basis
to a simple state of social organization (like a
group of families or clan, which could specialize to some extent by developing the practical
arts of agriculture, the hunt for meat, storing
surpluses, etc. ), before he could allow the
weak or the elderly to survive. It was probably
such individuals who first had leisure to investigate, to speculate, in the simplest possible
form of that activity. But when their efforts
gave them knowledge by which they were able
to advise and direct the activities of the tribe,
they realized its power and kept it secret to
preserve their status and influence. It was
passed on to disciples who were sworn to
secrecy. The"secret tradition" was originally
a practical necessity, for self-preservation.
Such a development probably occurred
many centuries ago--long before the ancient
civilizations of which we have any historical
records. Nor did it come about quickly, in
three or four generations. It must have taken
millenia of puzzled observation and the slow
accumulation of simple facts to arrive at even
the crudest kind of symbol which encompassed
more than an observation of shape or direction.
The sun and the moon have always been the
foremost luminaries of nature influencing the
lives of men on this planet. Both are round or
circular in shape. Even the most untutored
savage probably recognized a crudely drawn
circle in the sand as a pictograph of those
heavenly bodies. But since the moon changed
its shape regularly each month, it could be differentiated from the sun by representing it as
a crescent, a shape in which it appeared much
more frequently than it did as a circle.
The circle, therefore, became a universal
symbol of the sun, because it was always round
when it could be observed. And because it was
obviously the one great heavenly body which
brought life-giving light and warmth for the
growing seasons, it became the first great object of wonder, cosmic fear, and adoration. In
other words, it was man's first god; and the
symbol of the sun, the circle, became the first
representation to denote the divinity that shapes
our ends.
But when the organization of human societies, even in their simplest state, made possi-
ble the survival of some of the physically
weaker and elderly members of such groups,
a "leisure class" came into existence, which
had time to observe natural phenomena more
closely, to investigate "the immutable laws of
nature,"--to speculate.
One of the earliest observed phenomena of
the sun was probably its gradual change of
position on the horizon at its rising and its
setting. But not until this change of position
was studied and noted with something akin
to exactness (the "scientific method") did
primitive man derive some useful knowledge
from his observations.
Among the oldest relics of man's initial science, the observation of the sun, are crude
markings on stone which depict the arc of a
circle formed by points of the rising or setting
of the sun between the summer and the winter
solstices.
Such an ancient monument as that at Stonehenge, England, is a highly refined and sophis-
ticated representation of such solar observations. It's comparatively modern.
While it must have taken long periods of
time to develop such a simple representation
of the sun's journey from season to season, try
to imagine the superstitious awe and wonder
of the primitive sun-gazers when they began to
realize that the circular sun was drawing a
great circular arc on their earth's surface, that
the great sun-god was re-creating his shape
right before them.
And when they had amassed enough information to realize that the sun in its rising and
setting always turned in the other direction at
a definite time, repeated annually, they not
only had knowledge which determined a beginning and end for certain seasons, they had
"unlocked a secret of nature," which gave
them power to advise and to regulate the lives
of their neighbors and tribesmen! They had
learned the hard way that "Knowledge is power"; and to preserve that power, they made it
a secret among those who had been chosen to
search for light. The circle, therefore, became
the first and oldest symbol containing "wise
and serious truths" for the "initiated."
Probably one of their first achievements was
to predict the summer and winter solstices.
Undoubtedly they made those days significant
and "sacred." They became a "priestly class."
With their secret knowledge they established
the earliest religious festivals, which Masons
still observe as Saints John Days.
If this speculation is reasonable, we conclude that the circle was the first geometric
figure constructed by primitive man. It was
not merely a drawing; it was literally a construction, resulting from arcs eastward and
westward from a central point of observation,
curved segments which resulted from joining
the points which marked the sun's daily rising
and setting from one solstice to the other.
If the central point of observation had been
fixed by a pole or solid stone pillar, the shadow
cast by the pillar from hour to hour gave the
primitive observers a series of straight lines by
which they could construct a whole circle of
dots equidistant from the central point of observation.
What made the circle so sacred and mystic
a symbol was the fact that it was a construction, not a mere representation of a shape, as
if the fiery lord of the sky had revealed himself
to the children of men, and thereby unlocked
other secrets for the initiated to discover and
to guard.
The lines which connected the stone-marked
points where the sun arose and set each day, as
well as the lines of the shadows created by the
central stele or pillar as "the sun passed overhead each day," obviously created patterns of
crossing lines which undoubtedly aroused the
curiosity of those primitive "speculatives."
After generations of observers had been at
work, there must have come a day when one
of them recognized the symmetry of the crossing lines which created four right angles, the
cross within the circle. Since that probably
occurred when night and day were practically
equal, the equilateral cross also became a
sacred figure, fraught with special meaning
and symbolism. And from that geometric construction, another "revelation from the All
Highest," probably developed its use as a
religious symbol, especially in festivals linked
to the vernal equinox, when the dead seed was
quickened into life again.
But the equilateral cross, one may surmise,
was the second fundamental geometric figure
constructed by the primitive observers of the
sun; it resulted from their representations on
the earth's surface of the lines drawn by the
sungod himself, as he moved from east to west,
or cast a shadow from the central point of their
simple solar observatories.
As a figure, it probably first suggested the
concept of space--especially as a direction.
An equilateral cross drawn in a circle immediately suggests the directions in which natural
phenomena take place, like the sun's passage
across the sky, or the directions from which
the four winds of heaven blow. As a simple
but as yet undefined compass, it was a useful
tool of knowledge, whose practical applications were veiled from the uninitiated, who
were given mystical and supernatural explanations of the cross' meaning.
It was known all over the world, in the
most primitive societies, from northern Europe
to India, from China to the steaming jungle
civilizations of Central America. Its frequent
appearance in the religious symbolism of the
Toltec and Aztec Indians of Mexico frightened
the Roman priests who followed Cortez to the
conquest of Tenochtitlan; and one of the principal reasons why they ordered the destruction
of so many of the artifacts and records of those
civilizations was their fear of a pagan cross.
The cross assumed a myriad of forms, many
of them having a speculative or religious symbolism, from the so-called Latin cross, which
is the cross on which Jesus was crucified, to
the swastika (a good luck amulet), to the
Lorraine cross, with double or triple traverse,
a symbol familiar to Masons of the Scottish
Rite. One writer has identified 385 different
crosses, but the majority of them have little
interest except for those engaged in the decorative arts and the science of heraldry.
Most writers on the subject agree that the
equilateral cross, like the circle, the line, the
crescent and the triangle, forms so simple and
natural a geometrical figure that it must have
been one of the earliest geometrical constructions which primitive man "stumbled upon"
as a representation of the principal directions
of space--the earth, the sky, the rays of light,
the wind-rose, etc.
It naturally became a symbol of man with
outstretched arms, of birds on the wing, of a
double-headed hammer, of the bow and drill
for making fire. But as a part of the esoteric
knowledge of the most primitive scientists,
the observers of the sun, it contained more
meaning than a simple pictograph. It embodied concepts of radiation or space. As a
symbol of the rays of the sun, it veiled knowledge of the use of these lines in solar observations and became a symbol of "the tree of life"
on which depended the death and renewal of
life resulting from the annual changes of the
seasons.
However, if primitive man, by simple geo-
metric constructions, discovered the knowledge
whereby he could predict the solstices (by the
circle of stones of his solar observatories ),
sooner or later he must have run into the
problem of measuring time, i.e., how to count
by using units of time. The day was undoubtedly the first unit he used, since the sun
automatically measured it for him--and the
sun was the object of his study and veneration.
A day, moreover, was a lapse of time which
he could remember in his first attempts to
classify and to store information for future use.
But it is extremely doubtful that he originally had either the language or the mental
capacity to count quantities as large as the
number of days between the summer and winter solstices, even though he had arranged a
stone for each day on the solar circle which
he had laid out on the ground. He had learned
by generations of observations that when the
rising sun touched one end of the arc, it was
the first day of summer, and that when it
touched the other end, the sun would turn
again and seek each day a more southerly
point of arising. But that he had a language
of numbers by which to express that extent
of the passage of days, one may seriously
question.
We know, however, that primitive man used
numbers to indicate quantities; but the records
they have left on stone suggest an ability to
use only the simplest, the rudimentary numbers suggested to them by the ten fingers on
their hands and the ten toes on their feet.
Among their chiselled records on stone, the
numbers found most commonly are five, represented by five strokes attached to a stem
(the hand), and a rake-like figure consisting of
a bar from which depend seven short strokes, a
representation of the number seven.
Whence came that particular number, which
in subsequent civilizations and religions was
especially revered? Was its very antiquity one
reason for its universal importance?
Why are there seven ages of man, and seven
liberal arts?
Why are there seven gods of happiness in
Japanese folk-lore?
Why are there seven sages in the folk-lore
of ancient Greece?
Why did the Sioux Indians have seven
council fires?
Why did the Romans boast of the seven hills
on which their "eternal city" was built?
Why is the number seven so frequently used
in the Bible, especially in the Old Testament?
And why does the week have seven days?
The following speculation is offered with
no proof whatsoever; it is sheer guess-work
to suggest a possible reason why the number
seven became so important in the intellectual
and cultural development of mankind. It was
a "Mystic" number because it was one of the
earliest discoveries of the primitive scientists,
the observers of the sun. It was a primordial
unit to measure the passage of time which resulted from the earliest discoveries that "God
is always geometrizing."
If the year was a concept involving numbers of days too large for the mind of primitive man to handle, he probably turned to
observations of the other great luminary in
nature, the moon, to observe the passage of
time.
We can only speculate. Could the ancient
geometricians have joined the four points of
the cross within the circle to form a square
and discovered that each side of the square
was related to one arm of the cross (the radius
of the circle) in the approximate ratio of 7
to S? If so, they had made the first crude
application of the Pythagorean formula, but at
the same time discovered that the perimeter of
the square measured 28 units, the duration of
the "lunar year" in days. The square having
four equal parts of 7 units, the phases of the
moon divided the "lunar year" into four equal
parts of 7 days, or a week.
By speculating on the long and agonizing
process by which primitive man developed his
intellect and spiritual insights, imperfect as
they still are, modern Masons may increase
their respect for man and his potentialities. So
mote it be.
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